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Kerwin links slay try to politics

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SLAY TRY. Albuera mayoralty candidate Kerwin Espinosa said that the assassination attempt to his life could be due politics. Espinosa,47, was shot on his chest while he was in Brgy. Tinag-an on April 10. He was confined but later discharged in a private hospital in Ormoc City.(PHOTO COURTESY)

Attempt will not stop him from running

SLAY TRY. Albuera mayoralty candidate Kerwin Espinosa said that the assassination attempt to his life could be due politics. Espinosa,47, was shot on his chest while he was in Brgy. Tinag-an on April 10. He was confined but later discharged in a private hospital in Ormoc City.(PHOTO COURTESY)

TACLOBAN CITY – Mayoralty candidate Rolan “Kerwin” Espinosa believes that the attempt on his life was politically motivated, claiming it was likely due to his strong campaign stance against illegal drugs in Albuera, Leyte, a town once tagged as the drug capital of Eastern Visayas.

Espinosa, a self-confessed drug lord, said the shooting could have been carried out by individuals threatened by his vow to eradicate illegal drugs should he be elected mayor.
“You stepped on the toes of someone protecting their business. I’m not even sitting as mayor yet. You just failed to kill me. They even used a sniper—what cowards these people are,” he said in a Facebook livestream from his hospital bed just past midnight on Friday.
Espinosa is now out of danger after being hit by a bullet on his upper right chest while campaigning in Barangay Tinag-an, Albuera, on Thursday, April 10, at around 4:30 p.m. The bullet exited through the back of his upper right arm, according to a report from the Leyte Police Provincial Office.

He was discharged from a private hospital in Ormoc City on Friday morning and is now recuperating at home in Albuera.

In his video message, Espinosa claimed that the gunman and the vehicle allegedly used in the shooting were already in police custody. “The suspect was arrested right in Barangay Tinag-an, and the vehicle he used was found parked in one of the houses there,” he said, without providing further details.

However, Police Major Ana Armesa, spokesperson of the regional Philippine National Police, contradicted Espinosa’s claim, saying a manhunt operation is still ongoing. “As of now, our personnel are still conducting pursuit operations to identify and arrest the suspect, as well as recover the firearm used,” she said in a radio interview over DyVL in Tacloban City.

She said authorities are not discounting political motives behind the incident and have already identified a person of interest but declined to reveal more pending further investigation.

Espinosa was shot behind the stage of the covered court in Brgy. Tinag-an while he and his slate, “Bando Espinosa, Pundok Kausaban” (Espinosa Team, Reform Group), were holding a campaign rally around six kilometers from the town center.

His younger sister and running mate, Mariel Espinosa Marinay, suffered a graze wound on her left ear, while a minor—daughter of one of their councilor candidates—also sustained a graze wound on her left shoulder.

Despite the attempt on his life, Espinosa said he will not back down from his political bid and that divine intervention saved him. “My life is dedicated to sincere public service for all of you,” he said in Cebuano. “God is good all the time. He didn’t allow me to die. I was sent by the Almighty to return to Albuera to continue the plans of my father and serve the people sincerely.”

He also dismissed speculation that the shooting was staged: “Scripted? The bullet almost hit my heart,” he said.

Espinosa’s father, former Mayor Rolando Espinosa, was killed inside his jail cell at the Baybay sub-provincial jail on November 5, 2016, during what authorities then claimed was a shootout with operatives from the Criminal Investigation and Detection Group.

Both father and son were previously tagged by former president Rodrigo Duterte during the height of his campaign against illegal drugs.

Espinosa is running against incumbent Mayor Sixto de la Victoria and Leyte Board Member Vincent Rama. He vowed to continue his campaign despite the attack.

His sister, Mariel, echoed his determination: “We’re not perfect, but our only desire is to serve with integrity. Even though we almost died, that won’t stop us. We will continue—for the town of Albuera, for truth, and for the people who believe in us. We will not retreat,” she posted on Facebook.

Col. Dionisio Apas, Jr., director of the Leyte Police Provincial Office, described the shooting as a “suspected election-related incident.”

The Commission on Elections (Comelec) condemned the incident, calling for swift action to ensure peaceful and orderly elections on May 12.

Comelec-8 legal officer Atty. Ma. Krishna Athena Elardo said a meeting with police and military officials has been set for April 15 to address election-related security concerns, including the attack on Espinosa.

“We condemn the shooting incident involving mayoralty candidate Kerwin Espinosa as we are promoting peaceful and orderly elections in the region,” she said.

Albuera has been placed under the “yellow” category by Comelec, meaning it is an area of concern due to previous election-related incidents and the possible presence of private or partisan armed groups.

JOEY A. GABIETA, LIZBETH ANN A. ABELLA, ROEL T. AMAZONA

 

CBCP urged to probe demolition of ‘La Pieta’ memorial park

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Local council also calls for investigation

TACLOBAN CITY – The controversial demolition of the ‘La Pieta’ memorial park in Catbalogan City has now reached the Catholic Bishops’ Conference of the Philippines (CBCP), following public uproar and calls for accountability.

This after former Catbalogan City councilor and lawyer Alma Uy sent a formal letter to the CBCP on Monday, April 7, calling for an immediate investigation into what she called a “desecration of a religious and historical site.”

“In behalf of the people of Catbalogan, we demand an investigation to uncover why the Church allowed a historical site—fraught with religious significance—to be commercialized and stood by while a business establishment destroyed the Pieta monument,” Uy stated.
The letter was addressed to Cardinal Pablo Virgilio David, CBCP president.

Uy criticized the Diocese of Calbayog, the legal owner of the 1,300-square-meter property fronting the centuries-old St. Bartholomew Church, for allegedly permitting the demolition and entering into a commercial agreement without public consultation.

“The Church should be at the forefront of protecting historical religious sites. This responsibility should have been taken up by the Diocese of Calbayog; unfortunately, the opposite happened,” she said.

Also on April 7, the Local Culture and Arts Council and the Catbalogan City Tourism Council convened an emergency joint session, resulting in a resolution addressed to the CBCP, the National Historical Commission of the Philippines (NHCP), and the National Commission for Culture and the Arts (NCCA). The resolution seeks clarification over the demolition, which was reportedly carried out without permits from the city government.

Built in 1995 through the efforts of the Katbalogan-Metro Manila Residents Association, the La Pieta Park honored the over 4,000 victims of the 1987 M/V Doña Paz tragedy—recognized as the deadliest peacetime maritime disaster in world history. Many of those who perished were from Catbalogan.

Aside from its commemorative role, the site is also historically significant.

According to the Catbalogan City Tourism, Culture, Arts, and Information Office, the area once served as a cemetery during the Spanish colonial period and was known as the “plaza mayor.” In 2018, it was declared a cultural heritage site by the NHCP and designated an “open space” or park under the city’s Comprehensive Land Use Plan.

Uy also took issue with a public statement made by Fr. Noel Labendia, judicial vicar of the Diocese of Calbayog, who claimed that the Pieta statue was merely made of cement and not of marble, as some believed.

“What makes the Pieta monument of immense significance is not the material it is made of. It is the collective memory and emotions attached to it,” she said. “It is the symbolism that it holds which makes it precious to people.”

Prof. Jhonil Bajado, curator of the Samar State University Museum and Archives, echoed the sentiment in a social media post.

“The material is immaterial. As we enter churches to pray before sacred images, we care little whether they are made of wood, lime, cement, or marble. What truly matters is our faith.”

Relatives of Doña Paz victims have also condemned the demolition, describing it as a desecration of sacred ground where they had regularly gathered for annual prayers and commemorations.

Fr. Labendia earlier defended the Church’s decision, citing the park’s poor condition and lack of maintenance.

He confirmed that the diocese had entered into an agreement with Shakey’s Pizza to lease the property and redevelop the area into a mixed-use space. He said the business also committed to replacing the demolished statue with a new replica, potentially made of marble.

“The Diocese does not have the resources to develop or maintain the property. Despite the clamor now, no individual or group had formally stepped forward to invest in the upkeep of the park for nearly three decades,” Labendia said in a statement.

However, city officials, including Councilor Stephany Uy, have disputed this claim. During a city council session, Uy said the local government had made multiple offers during her tenure as mayor (2013–2019) to improve the park but was allegedly denied by the diocese.
City administrator Dennis Cosmod also said they had made minor improvements to the park in 2016 and 2017 and are now mulling legal actions, including asking the Shakey’s franchisee to restore the site to its original state.

The situation has stirred deep emotions in Catbalogan, with many residents questioning the lack of transparency and consultation in the process, as well as the future of other heritage sites in the city.

(JOEY A. GABIETA)

Leyte’s artistic brilliance takes center stage

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TACLOBAN CITY– The Kolor Banwa Art Group has once again placed the spotlight on Eastern Visayas’ creative pulse with Visualeyte 2.0, an art exhibition that boldly celebrates Leyte’s rich and diverse artistic talent.

Held to honor the evolving voices of the region’s visual storytellers, the exhibit brings together some of the most dynamic and thought-provoking artists in the province.
Participating in this year’s highly anticipated showcase are Kolor Banwa members Clint Gonzales, Aljun Alvarez, Archie Prisno, Kat de la Cruz, Hazel Llemos, Melchor Tagana, Myra Delima-Medalla, Philip Salem, and Dante Enage, as well as three guest artists in the name of Rico Palacio, Edmund Balan, Raul Agner—twelve artists whose distinct voices and visions shape the compelling narrative of Visualeyte 2.0.

This year’s installment offers an immersive visual journey—each artwork a doorway into the mind of its creator, unified by a shared commitment to authentic expression and cultural introspection.

A Mosaic of Creative Vision

Among the featured artists is Clint Gonzales, whose fusion of serigraphy and traditional painting techniques delivers urban energy with a deeply personal narrative. His pieces examine the intersection of femininity and modernity, echoing his graffiti roots. Kat de la Cruz explores synesthesia in her work, translating anxiety into color and form.
Her compositions feel almost audible—music rendered into vibrant strokes that challenge the boundary between sound and sight. Artists Hazel Llemos and Myra Delima-Medalla delve into the complexities of womanhood.

Through powerful visual storytelling, they convey themes of growth, identity, and feminine grace. In his “Binignit” series, Philip Salem marries cultural tradition with modern sensibilities. His use of local delicacies as metaphor—particularly for femininity—results in layered, textural pieces that are both familiar and forward-thinking.

Archie Prisno contributes works that push abstraction into figurative portraiture. His detailed line work—stripes, checks, and tracery—infuses female forms with complexity and elegance, creating a unique tension between structure and softness.

Environmental reflection comes through the work of Dante Enage, who illustrates ecosystems with geometric precision and vibrant color. His art serves as a visual call to preserve nature’s delicate balance.

Mortal Kallos, a series by Aljun Alvarez, evokes themes of mystery and fragility through levitating objects and aquatic motifs. The dreamlike quality of his work invites contemplation on transformation and vulnerability. With celestial aesthetics, Melchor Tagana offers a cosmic take on abstraction. Fluid water forms blend with space-inspired imagery, producing a vision that spans sea and stars, grounded in darkness and illuminated by ethereal light.

Raul Agner brings masculinity to the forefront with bold strokes and banig-inspired patterns. His work echoes heritage and strength, contrasting rigid geometry with expressive freedom.

Rico Palacio dives into surrealism, layering time, memory, and symbolism. His textured, collage-style compositions reflect on impermanence, offering viewers a visual meditation on life’s cyclical nature.

Finally, Edmun Balan captures the poetry of rural life through impressionist strokes reminiscent of Van Gogh. His depictions of daily provincial scenes shine with warmth, gratitude, and reverence for simplicity.

A Celebration of Vision and Identity

More than an exhibit, Visualeyte 2.0 is a testament to Leyte’s vibrant cultural landscape and its thriving community of visual artists. Each work resonates with introspection and ingenuity, reflecting not only individual journeys but a shared narrative of place, purpose, and passion.

Presented by Kolor Banwa, this showcase stands as a powerful reminder of art’s ability to transform perception, challenge norms, and unite communities through shared experiences and stories.

“This event paves the way for Leyteño artists to gain a platform on the national art stage.” said Melchor Tagana, the President of Kolor Banwa, emphasizing the broader cultural significance of the exhibition.

Present during the exhibit’s opening were some of the biggest names in the Philippine art scene, namely Tin Yap, owner of Nami Art Gallery, Raul Isidro, Juno Galang, Dr. Renato Cheng, sculptor Anita del Rosario, and environmental art activist AG Saño. Visualeyte 2.0 runs until April 16 at the Nami Art Gallery, White Plains Quezon City.(PR)

PH-Australian Armies convene for 2025-2026 collaborations

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FORT BONIFACIO, Taguig City—The Philippine and Australian Armies conducted the 8th Philippine Army-Australian Army Staff Talks to expand their cooperation in regional defense and security on April 7-8, 2025, at the Headquarters Philippine Army, Fort Bonifacio, Taguig City.

Maj. Gen. Ferdinand B. Napuli, the Acting Chief of Staff Philippine Army and Maj. Gen. Chris Smith, the Deputy Chief of Army of Australian Army headed the Philippine Army and Australian Army delegations respectively during the discussions aiming to enable further developments in the armies’ relationship. The Defense Attache of Australia to the Philippines Capt. Emma McDonald-Kerr and representatives from the Philippine Marine Corps also attended the two-day Staff Talks.

The activity included plenary sessions on the PA-AUSA Engagements, Australian National defense strategy, Philippine Army’s strategic direction, key leaders engagement activities, and a review of the activities conducted for the year 2024. The delegation leaders also discussed the 2025-2026 PH-AUS Army activities to enhance the countries’ interoperability and capacity through combined arms training.

In his closing remarks, Maj. Gen. Napuli expressed his gratitude to Maj. Gen. Smith and the attendees and organizers of the activity for the productive conduct of the Staff Talks. He also added that the activity’s outcome reflects both armies’ shared commitment and collaborative efforts and will serve as a powerful reminder of the importance of regional unity in ensuring security and stability.(PR)

Maripipi fisherfolk celebrate 1st successful lambaklad harvest under BFAR-SAAD Program

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TACLOBAN CITY – The Barangay Binalayan East Fisherfolk Association in Maripipi, Biliran, has achieved its first successful Lambaklad harvest under the Bureau of Fisheries and Aquatic Resources – Special Area for Agricultural Development (BFAR-SAAD) Phase 2 program.

On their initial haul since the project’s full installation on April 4, 2025, the group yielded 410 kilos of assorted fish, including giant trevally, diamond trevally, Indian mackerel, queenfish, and red big eye.

From this total, 264.8 kilos were sold locally at P120–P180 per kilo, generating P41,000 in revenue. The sales not only benefitted the association financially but also provided island residents with affordable, locally sourced seafood.

To ensure sustainability and member participation, the group agreed to equitably share a portion of the daily catch among active members for household consumption. The remaining harvest is sold, with 50% of the income distributed weekly to members and the other 50% deposited into the group’s savings account. Minor operational expenses are funded through monthly member dues.

The Lambaklad project stems from the association’s active participation in the 2024 Participatory Rural Appraisal (PRA), which identified their specific livelihood needs.

This led to the awarding of a P2.6 million livelihood package, which covered the installation of the Lambaklad gear, necessary equipment, and capacity-building training.

Further support is on the way in 2025, with BFAR-SAAD set to provide a chilling/harvesting tank, chest freezer, 15 fishing crates, and two weighing scales to further strengthen the association’s post-harvest operations.

This marks a promising start for the fisherfolk of Binalayan East and a testament to the effectiveness of the SAAD program in empowering grassroots communities through sustainable and inclusive livelihood support.

(ROEL T. AMAZONA)

PSA-RSSO 8 conducts quarterly livestock and poultry surveys- household and establishment

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TACLOBAN CITY– The Philippine Statistics Authority – Regional Statistical Services Office VIII (PSA – RSSO 8) implements the quarterly livestock and poultry surveys (LPS) in all provinces nationwide with the new survey titles.

Livestock and Poultry Survey Household (LPS:H), formerly Backyard Livestock and Poultry Survey (BLPS), generates estimates on inventory, number of animals disposed, average farmgate price, egg production of poultry animals, milk production of dairy animals, and other related data of livestock and poultry commodities at the household level. The unit of enumeration is the household with livestock and/or poultry raising activities.

The commodity coverage includes carabao, cattle, swine, goat, sheep, chicken, duck, horse, rabbit, quail, turkey, goose, and other animals tended by the household.

Livestock and Poultry Survey Establishment (LPS:E), formerly Commercial Livestock and Poultry Survey (CLPS), generates data on the supply and disposition of livestock and poultry commodities from establishments.

The units of enumeration are livestock and poultry establishments that raise/tend livestock and poultry animals intended for breeding/propagation, and for food consumption. The commodity coverage includes carabao, cattle, swine, goat, sheep, chicken, duck, and other animals tended/raised by the establishments.

The schedule of field data collection for LPS:H is every first seven (7) days of the month after the reference quarter. Whereas, the schedule of data collection for LPS:E is during the last ten (10) days of the reference quarter. However, data collections during the fourth quarter is done one month earlier to comply with the Philippine System of National Accounts calendar.

The mode of data collection is CAPI, a face-to-face data collection method in which the interviewer uses a tablet or mobile phone to record answers of the respondent.
This year, the livestock and poultry survey instruments are enhanced and revised to be relevant to the current statistical needs of the livestock and poultry industry. It records and consolidates various auxiliary information for the conduct of review, validation and analysis of livestock and poultry estimates.

This include farmgate and retail prices from other data sources such as Department of Agriculture (DA) and private sector, commodity flow and number of deaths due to African swine fever.

The data generated from LPS are inputs to the valuation of production of Philippine agriculture and fisheries, and to the computation of the Gross Domestic Product (GDP).
The survey supports the needs of planners, policy and decision makers, and other stakeholders particularly National Economic Development Authority (NEDA), DA and its attached agencies such as Bureau of Animal Industry (BAI), Philippine Carabao Center (PCC), National Dairy Authority (NDA), National Meat Inspection Service (NMIS), Philippine Council for Agriculture and Fisheries (PCAF), and the general public.

These statistical activities were reviewed and cleared for conduct by the Statistical Survey Review and Clearance System (SSRCS), a mechanism prescribed by
RA 10625 or the Philippine Statistical Act of 2013 to ensure sound design for data collection; minimize the burden placed upon respondents; effect economy in statistical data collection; eliminate unnecessary duplication of statistical data collection efforts; and, achieve better coordination of government statistical activities.

In line with this, PSA enjoins all sample households and establishments to support the survey by providing truthful information to authorized PSA Statistical Researchers who will visit them to conduct the interview. The Office adheres and commits to the confidentiality of information as stipulated in Section 26 of RA 10625 and Section 8 of RA 10173.

All data obtained herein shall be held strictly confidential, and will not be used for taxation, investigation or law enforcement purposes. Survey results will be released in the form of summaries or statistical tables.

For inquiries and further information, please contact our office with telephone number (053) 839-1884 and email address rsso08socd@psa.gov.ph. (PR)

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